The Avengers by Joss Whedon

The Avengers by Joss Whedon

Nick Fury, director of the peacekeeping organization S.H.I.E.L.D., recruits Iron Man, Hulk, Thor, and Captain America to form a team that must stop Thor’s brother Loki from enslaving the human race.

It’s here, finally. The movie that Marvel really wanted to make and arguably the film every fan really wanted to see, anyways. It really started to test my patience while I was watching Captain America: The First Avenger. It wasn’t that it was a bad movie, but it’s more or less of the same thing and I wanted to see these Marvel movies go somewhere else. The good news? The Avengers go somewhere else with it and it works!

The major sell of The Avengers are the characters themselves and that’s what the story is mainly about. In Joss Whedon’s own words, there is no reason for all these heroes to share a movie. After all, if I had superpowers and had the ability to solve my own problems, why would I work with another dude? Or take orders from somebody that’s supposedly weaker than you?

Whedon accomplishes this with a lot of discipline and balance. For example, the alien army that Loki employs to take over the Earth with are underdeveloped and their motivations are quite simplistic, but it works because it acts only as an extension of the heroes’ conflict. They’re fighting these aliens not because the monsters necessarily have a direct beef with our heroes, rather they just exist as an idea to push them to working together as a team. It is functioning quite like a musical in that aspect. Conflicts are physicalized in the form of fights (everybody fights with everybody at some point like a fighting game), comedic verbal banter and things are kept light and bounce along smoothly. Personally I found myself enjoying the banter more. Yes, The Avengers was a lot more funnier than I expected.

It was fun anticipating and seeing how each character interacted with each other, very much like how you might anticipate different friends will interact with each other at your birthday party. Like in 2009′s Star Trek, I appreciated that each member had a individual specific contribution to the team.

People tend to argue about how filmmakers interpret the Hulk in the past. I do like the Ang Lee version because Lee attempted to bring a genuine pathos to The Hulk that seemed unpopular with the masses. The issue I actually have with the Hulk is that his character never seemed heroic to me because he is not in control of his own actions once Bruce Banner is in the Hulk state. It’s just random carnage and it happens that he’s a hero because he does good, albeit accidentally. Suffice to say, they solve that in this movie.

As for the switch with Mark Ruffalo, fans will perpetually argue over which actor played the best interpretation of the Hulk. I personally do not see an actor-specific interpretation. It seemed like Ruffalo is playing the continuation of Bruce Banner/The Hulk after the events of The Incredible Hulk (what Edward Norton would have played had he stayed in the role). This is a less conflicted Bruce Banner who’s made peace with who he is and is in better control. I do not know why in the past the actors who have played Bruce Banner did not get to play The Hulk on motion capture, I am glad that is over because the consistency really makes a huge difference. Ruffalo manages to be scary at times but it is ultimately drowned out by the film’s light tone. The ever-present humor does work against the story at times because I would have liked a few darker moments in the film. Suffice to say, Ruffalo makes the role his own.

I can see from a writer’s standpoint how Captain America is a challenging character to tackle. There is no real darkness within him and he always does the right thing. So how do you make that engaging? The story of The Avengers was originally going to be based from Captain America’s point of view and there was a whole subplot about him trying to reconnect with the modern world. I’m glad that was cut out (this is fully packed as it is). All those scenes can totally be in Captain America 2. Even stripping his storyline away, they do manage retain Steve Roger’s charm in The Avengers. The charm of Captain America are not his powers; the character represents the human limit and how human will and heart can push someone to do great things. He is a competent superhero in his own world and story, but his powers do not mean much standing next to Thor, The Hulk, Iron Man or even the alien army. They do highlight this fact in the battle scenes. There were many instances where I was thinking, “Wow, Captain America can totally die right now.” The humanity and obvious vulnerability of the character engaged me and it stood out as he starts leading the Avengers. It made me think about how poorly Cyclops was handled in the X-men movies. Captain America was the stand-out character for me.

The Hawkeye and Black Widow story is serviceable and it only gives them enough motivation for the duration of this installment, which really is just giving them an excuse to exist and kick ass in the story. It doesn’t really develop them that much in my opinion, I’m not complaining but it didn’t really do much for me either. They are not interesting enough to have their own movies.

Robert Downey Jr. has really settled into his Tony Stark role and gets all the zingers, as expected. I liked that his character is consistent with the end of Iron Man 2. They give him a small arc in The Avengers and I rather liked that. He is comparatively less of an ass and more likable than in Iron Man 2. Shane Black is doing Iron Man 3, sign me up baby!

I like Chris Hemsworth as Thor, he plays the role with the right combination of masculinity and vulnerability. Thor carries the guilt of bringing a new threat to Earth while trying to stop his brother’s madness without killing him. The film presents all this but it seems like there’s a lot more untapped drama that is not explored. We only get a very serious side of Thor compared to the last installment because the characters like Jane or Darcy that bring out other sides of Thor are not present. I do look forward to seeing if there are more Thor scenes in the 30-minutes of cut footage.

Tom Hiddleston oozes charisma as Loki. Honestly at times I found myself rooting for Loki to win. It’s important that people see Thor to understand his motivations. I wonder if fresh viewers will miss Loki’s complex characterization and magnetism. He’s magnetic as hell and steals the show.

The set pieces are great and should satisfy any comic book fan. We get every superhero match up possible without hindering the story. The end set piece is reminiscent of the finale in Transformers: Dark of the Moon. I do wonder if Michael Bay is at home screaming, ripping his hair out right now. The Avengers puts his Transformers films to shame and shows how a similar finale can be truly exciting by developing characters and a story.

So the problems? My biggest criticism of The Avengers is probably that it was overhyped. Even with actively avoiding all the promotional clips and featurettes online, I dangerously felt the presence of the movie before actually seeing it. There’s enough clips of the movie currently available online right now for anybody to piece together the entire story. It was a real fight to go in with a fresh clean mind. There’s a moment at the very end of the finale that was ruined by a shot that was shown in the trailer and I would have preferred if they just left that one shot out because the pre-knowledge ruined the tension of the scene. If it was left out, it would have been more tense wondering if the movie would have just ended on a dark cliffhanger with a character possibly being dead.

It’s imperative that I warn anybody who has yet to see the movie: do not see this movie in 3D. The light loss was problematic (duh!) and I found it very difficult to follow the action scenes (to it’s own credit, they were not edited in a choppy fashion) or anything indoors or at night. Please do your part and pay to see it in 2D and let 3D die. And also, there are 2 end credits scenes, stay till the very end.

What can I say? Marvel has made an awesome achievement with The Avengers and it only seems natural to ponder how Marvel will escalate things for the future. For my money, it seems superfluous to have to go through another set of sequels with each individual hero before an Avengers 2: Still Avenging. Let’s just get to it!

Midnight in Paris by Woody Allen

Midnight in Paris

Midnight in Paris by Woody Allen

I’m a loyal Woody Allen fan. My favorite Woody Allen films include Crimes and Misdemeanors, Deconstructing Harry, Everyone Says I Love You, and Stardust Memories. Even the so-called bad Woody Allen (I didn’t think Curse of the Jade Scorpion or Anything Else was terrible, I thought they were still funny) films manage to entertain me. I like that he’s disciplined and a no-nonsense writer and director.

I’m currently battling the cliche of whether I should make a Top Ten List of 2011. I wasn’t going to write a review for Midnight in Paris as I saw the film months ago. But watching Hugo and seeing it’s attempt at trying to enchant me reminded me of how Midnight in Paris did it so much better. Hugo did it with the use of space, but Midnight in Paris does it with space and character. This movie truly enchanted me. So I figure instead of writing a top ten list, I’ll just write reviews of the films that I liked in 2011 instead. So on with my thoughts…

If there’s anything Woody Allen does well, it’s casting (also to the credit of Allen’s longtime casting director Juliet Taylor). He find the right people to do the job through spotting the distinct characteristics in actors and susses out their aura to tell a story. This is the best use of Owen Wilson in a role that I have seen. I never knew what was unique about Owen Wilson till now. And here’s what it is: Owen Wilson embodies a sense of wonderment (“Wow, look at that.” “Gosh, that’s amazing!”) and he  acts as an avatar for the audience in experiencing Paris’ beauty. Yes, of course, we know Paris is beautiful and enchanting but it’s through his energy that the viewer can feel enraptured by everything around him.

That also said, I also think this was my favorite Adrian Brody performance as well. This was another actor that I never could tell what his strength was, but too like Owen Wilson, he shines in Midnight in Paris. I know of Salvador Dali and seen enough of his photographs to know his physicality and the specific way he stares at people. I do think Brody captures that precisely in this small role. It’s also refreshing to see Rachel McAdams play a bitchier character. If there’s an award for best ensemble cast, Midnight in Paris  should take the cake. Also noteworthy performances were Kathy Bates as Gertrude Stein, Tom Hiddleston as F. Scott Fitzgerald and Corey Stoll as Ernest Hemingway (who recites all his dialogue in Hemingway-like prose). Through the scope of Owen Wilson’s Gil Pender, who is currently writing a novel about nostalgia, every artist’s appearance is a delightful joy. It’s like crashing an old costume party and meeting all your idols.We see how he’s excited to be amongst these people and as the audience is seduced to wanting to hang out with the Lost Generation as well.

Paris is a major character in the story. The opening montage of Paris evokes a similar stroke Allen did in the opening montage in Manhattan. It captures the energy of the city and it embodies a personal love for the place. We see the streets, the restaurants, the book stores, the cafes and we imagine what we would do there if we were there. The film takes it to almost a jokey tongue-in-cheek level since you have the First Lady of France (Carla Bruni, whom I also like her music) as the local French tour guide.

The film charms you and you can’t help but fall into it and be whisked away to a fun joyful place. This is easily going onto my favorite movies of the year and now officially one of my favorite Woody Allen pictures.

What else can I say? Woody Allen, give me a hug!