A group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda.
I used to be a Kevin Smith fan. I liked all his work up till Clerks 2. I would look up funny clips of his speeches and occasionally read his blog. Zack and Miri Make A Porno made me laugh but it was not something I could recommend to somebody else. I thought Cop Out was one big juicy raspberry but it was not the reason why I do not care for his work anymore. The real reason is because he’s gotten so whiny these couple of years it’s just a turn-off listening to him talk about anything these days. As someone who wants to work in the film in industry, I could not empathize with his view of film critics and/or Hollywood politics. I purely see those as good problems to have at this point. I totally understand and respect that he is probably in a different stage in life than me but I just cannot help it. Sorry. On with the review…
Michael Parks is really good and brings a muted creepiness as Reverend Abin Cooper, but he needs subtitles. I understood Jeff Bridges in True Grit word for word and still found Parks’ drawl scratchy delivery difficult at times. Melissa Leo goes over-the-top. That’s all I have to say about the acting.
Red State titters between being a satire, a horror film and a late night B action movie. All three genres end up competing against each other. The horror was not horrific enough; it’s watered down once the action kicks in. That’s a problem because it’s satiric metaphors are never fully physicalized and they end up being stated through dialogue. The violence is meant to be taken seriously but there’s a scene involving a cop receiving a head shot outside Abin Cooper’s house that looked too funny to be shocking. At the final dialogue set piece with Agent Joseph Keenan (played by John Goodman), it seems like the film is giving you permission to laugh at what’s going on, but I was not sure if I was supposed to. What floats to the surface after all this genre clashing is the message of the film, which seems too on-the-nose. After watching Red State, I could not recall a specific scene or any characters (besides Michael Parks) that were memorable. What I can tell you is what Smith thinks is wrong with America.
It’s nice to see Kevin Smith write in a different voice and it’s too bad he claims to have only one more movie in him before quitting as a filmmaker (I do not believe this at all). I assume his cinematographer Dave Klein must be thrilled to finally be able to pan the camera, do handheld and use a crane shot. As he admits, he’s not the strongest director in the world. Horror is a visual medium and he would probably benefit in a genre that is more based on writing. But you know what? It’s a new direction! It’s something new from him. So again, I must go back to … I don’t know what the hell he is being so whiny about!