In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, Judge Dredd (played by Karl Urban) teams with new trainee Judge Anderson (played by Olivia Thirlby) to take down a gang that deals the reality-altering drug, SLO-MO.
It is an unfortunate coincidence that Dredd is correlated to The Raid: Redemption because they have similar setups (my short review of The Raid: Redemption here). Fortunately, I saw The Raid: Redemption earlier in the summer of 2012 and missed Dredd in theaters, as a result I have enough time in between the two films to mentally separate them. Being unfamiliar with the source material, what I actually ended up comparing Dredd was the 1996 Slyvester Stallone’s Judge Dredd. It’s a sci-fi movie that I grew up on and entertained me (however Demolition Man is the superior sci-fi Slvyester Stallone movie). It’s famously criticized because Sylvester Stallone, at the behest of the producers, plays the latter two-thirds of the film with his helmet off. Judge Dredd in the comics, never takes off his helmet. I never knew what the big deal was with the insistance that the Judge Dredd character must keep his helmet on… till I saw Dredd.
Judge Dredd is not a character as more a representation of pure black-and-white law taken to the extreme. That’s why he’s meant to be faceless. Taking off his mask and trying to find the human backstory behind that character completely shatters what he thematically represents. Yes, I know I sound stupid right now. However, a movie with Judge Dredd alone just shooting criminals would have been boring. The filmmakers understand this, so they have placed in a buddy cop dynamic into the film with the Judge Anderson character. She is more human and more dimensional as a character, and set as a juxtaposition to the stoic Dredd. It can even be argued that the movie is Judge Anderson’s story. Both characters had a good working chemistry and the film deeply benefits from their buddy dynamic as it provides something human enough for me to hang onto between the action scenes.
As Judge Dredd, Karl Urban manages to communicate a lot under a helmet and has a firm grasp of the material. Playing a character who is that extreme can easily fall into parody very quickly (there are many Youtube videos parodying Stallone’s delivery “I’m the lawwwwww!!!!!”) and Urban doesn’t fall into that. Lena Headey manages to be cold and scary without being cartoonish as the film’s villain Ma-Ma. The film is over-the-top but there’s no ‘wink wink’, everybody just “is” the character they’re playing.
Slow motion in films have been overdone and viewers have grown used to it now. The way to keep slow motion fresh is to incorporate it into the story. Having a drug that slows down your perception of time is arguably the most blatant way to do this. But you know what? It works! It seems fresh and they take the Slo-Mo drug as a story device and take it to creative places. The films has fun action set pieces. The next set piece tops the last and it moves fast enough for you to ever really ponder about the satirical tones.
Dredd is fun and made by a team that understands and loves the material. Their goals with this movie were simple but they accomplish them. It makes me think, as proven by the 1995 film, that perhaps the Judge Dredd property is not meant to be adapted into a vehicle for a big name star. The dark humor combined with ultra-violent tone of it just registers as something kitschier that will fare better for a smaller audience. No one’s going to take their whole family to see this movie but more likely a group of guys will cackle over it with a case of beers in their apartment.
For the people that want to see Dredd, will get it and enjoy it. For the people who don’t care that much may just dismiss it as being a lesser version of The Raid: Redemption. I’m not going to get on that bandwagon, Dredd deserves better than simply writing it off like that.