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Frances Ha by Noah Baumbach

Frances Ha by Noah Baumbach


Frances Ha
is a character study of its lead character, Frances Halladay, a dancer in her late twenties trying to find herself career wise and work through with her friends and surrounding community.

The title character Frances and her friends, notably New York hipsters, are not particularly interesting company. Having seen Baumbach’s previous film Greenberg, what is Noah Baumbach’s fascination with these hipster generation-Z characters that have an aversion for employment? Is Baumbach critiquing them, implying they should better people? No, Baumbach just navel gazes at the New York hipster sheik. Did I learn anything new about this generation’s youth? No, because I already know people like this and generally avoid them.

For instance, Frances seems to be afraid of the typical career ladder and desires something more. Dancing, what’s she’s established as her job, doesn’t seem fulfilling. But being a waitress is out of the question because her privileged upbringing makes it humiliating. Meanwhile, things start to become financially difficult. She then starts to lie pathologically to keep up with her friends who have gone ahead in life. Is she active in discovering her passion? No, she just mopes around, hoping it’ll hit her one day.

And like that, the movie goes on and on. Even at 89 minutes, it felt long watching these characters mope along talking about nothing. Greta Gerwig is very good in the lead part and displays a considerable amount of depth playing a quarter life crisis. She captured that boomerang generation mentality to a tee. It succeeds at what it does as a character portrait, but it’s truly interesting only when her character gets active. I just wished more things, whether comic, dramatic or tragic, happened so that she can be more compelling. For me, only the last 15 minutes were interesting. After all, there’s only so much quirkiness one can take.

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