Don Jon by Joseph Gordon-Levitt

Joseph Gordon-Levitt

Don Jon by Joseph Gordon-Levitt

Jon “Don Jon ”Martello is dedicated to his family, friends, his apartment, church and one night stands with women. But none of these compare to the transcendent bliss he achieves with pornography. Dissatisfied, he embarks on a journey to find a more gratifying sex life, but ends up learning larger lessons of life and love from two very different women.

Don Jon marks as the debut film of Joseph Gordon-Levitt, who is the writer, director and star of the film. What’s most praiseworthy about JGL’s direction is how he puts the audience into the world view of his lead character Don Jon. It makes a good cinematic explanation of how Don Jon prefers pornography over bedding real women, a character trait that can easily be viewed as unlikeable or disgusting if mishandled. We never really venture outside his world, but yet Don Jon’s views seem logical enough to keep the audience invested in what happens to him.

Directing duties aside, Joseph Gordon-Levitt’s ability to transform himself amazes me. Having seen him in Inception, (500) Days of Summer and The Dark Knight Rises have familiarized me with the sound of his real voice, but I was still astounded by Don Jon’s macho New Jersey-accented voice. I was carefully listening to Don Jon’s dialogue and couldn’t detect any hints of Gordon-Levitt’s real voice underneath. It is artfully consistent and was the core element that sold me on the Don Jon character.

Scarlett Johansson has been said to be a wooden actress in the past. I think this was probably one of her better performances. This character felt like a real person to me. I have met and dated girls like Barbara. Furthermore, the allure of Scarlett Johansson is cinematically ramped up to eleven. She hasn’t been filmed to this level of sexiness since Match Point. For fans of the Black Widow, I’d even argue that this tops that. This is probably more to the credit of the direction. We feel Don Jon’s hunger for her. And like Don Jon, she too mesmerized me. And not just cause of her looks. She seemed like the ideal girlfriend at first and couldn’t really see her character flaws till late in the film. When I realized her character flaws, I was surprised I didn’t see them before. That was a very compelling moment for me in the theater. Honestly, Johansson’s character distracted me so much, I would need a second viewing to tell you anything about the Julianne Moore character.

Seeing Tony Danza as Don Jon’s father Jon Sr. takes me back to my childhood. He was the only man on TV who can make my dad cackle like a fiend in the English language. Danza’s presence adds warmth and makes for a convincing father. Brie Larson gets to do a Silent Bob type gag that is quite amusing.

The film’s brutally truthful display about the realities of men and women as a source for comedy, while handled tastefully with charm by Joseph Gordon-Levitt, hits a little too close to home. I have had discussions like this with a girlfriend similar to the Scarlett Johansson character. It accurately captures why it’s hard for men to explain the joys of pornography to the opposite sex. As Louis C.K. once put it, men just need to release so they don’t go out and murder somebody. That’s really it, but it’s not a pleasing satisfying statement to convince a girlfriend with. I’d argue that any girl that needs an explanation wouldn’t be convinced anyways because they probably have double standards. The film seems to take the same stance. All that said, the film managed to end on a poignant tender note.

In the end, Don Jon is somewhat of an odd animal. I wouldn’t personally recommend it as a date movie with your girlfriend, for the very fact that it might just open the awkward discussion of “How much pornography do you watch?” with your girlfriend. I still think people should see it as it is a competent debut film.

So on a more politically neutral note, I’d say guys would have more fun with it watching it with their guy friends and likewise with girls and their girlfriends. It’s probably better to be charmed by it separately than leaving the theater together primed for an awkward argument.

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Woody Allen: A Documentary by Robert B. Weide

Woody Allen: A Documentary by Robert B. Weide

If you ever owned a DVD of a Woody Allen movie, you will know that there are never any special features. There is probably no budget for a behind-the-scenes documentary crew following him around on his film shoots, heck, Woody Allen has said he does not even like the concept of special features. He even burns the deleted scenes after the film is completed.

Up till now, the only way to truly learn about Woody Allen’s process was through books. I own Conversations with Woody Allen by Eric Lax (who’s in the film as his biographer) and Woody Allen on Woody Allen: In Conversation with Stig Bjorkman, which both are all fine reads and great insights into Allen’s creative process. I knew most of his stories: his workman-like approach, his approach to casting, , .

The structure of the documentary is tailor-made to its subject and it really fits. It chronicles Allen’s life from his career transitions beginning from a young joke writer to stand-up comedian to a filmmaker. Much of Allen’s frequent collaborators and family are interviewed, including his sister, actors, co-writers, casting director and producers. Each film that he’s made is covered more or less but much more emphasis is placed on his creative phases: his early funny films, the transition with Annie Hall and the Diane Keaton era, the Mia Farrow era, Match Point and now the current European city phase. The behind-the-scenes section on the set of You Will Meet A Tall Dark Stranger where you see Allen rehearsing a scene with Naomi Watts and Josh Brolin in an argument scene was a real treat. Also, my top five favorite Woody films are all covered (Crimes and Misdemeanors, Stardust Memories, Everybody Says I Love You, Deconstructing Harry and Midnight in Paris), so I am a happy camper.

I had a dumb dream once where I met Wong Kar Wai and he took off his infamous sunglasses, looked me straight into the eye and spoke to me. I woke up realizing I saw Wong Kar Wai’s eyes in person and felt like I knew something deeper about him because I was in his presence.

That’s how this documentary made me feel. Despite that my previous knowledge, I didn’t know anything about Woody Allen in terms of a human being. The documentary offers that close proximity as we basically hang out with Woody Allen for 3 hours. We take a trip with Allen around New York visiting various locations like his cutting room, his old elementary school (which he hates), the jazz club (where he plays the clarinet every Monday) and the local cinema he used to frequent (inspired the idea for Purple Rose of Cairo) and we see the space of his own world and can visualize where the genesis of his ideas come from. One major highlight is when we’re in Allen’s actual home where he shows you his typewriter and takes out his notes for story ideas and reads out a few of them.

It’s an absorbing experience as we gain great insight into Allen as a human being and an artist. It totally makes up for the lack of special features for every Woody Allen DVD. A highly recommended experience for fellow Woody Allen fans.

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