Blue Jasmine by Woody Allen

Blue Jasmine by Woody Allen

Blue Jasmine by Woody Allen

A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister.

To start off, Blue Jasmine has a tremendous cast. A lot of unsung credit belongs to Allen’s long time casting director Juliet Taylor, who’s assembled a cast that aptly plays the social distinction between the lower and upper class. Each character, whether it’s a glass-clinking socialite or a muscled tough guy builder, says the pitch perfect thing in the exact way they would say it. They all felt like real people.

As of right now, Cate Blanchett should win the Oscar for Best Actress.  She is the film’s main event. There’s no sense of where Cate Blanchett starts and Jasmine French begins, she simply was just the character. Her character, Jasmine French, is not a likable character in any traditional sense. But she in such immense physical stress and on the brink of complete mental breakdown, it is an awesome spectacle to be marveled. It was like Blanchett was suffering in front of me for the entire 98 minutes.
Sally Hawkins is a great partner to Blanchett as her onscreen sister Ginger. Hawkins provides the necessary counter balance for the audience to gain true insight into Jasmine. It is like watching a master class in acting watching them. Alec Baldwin makes a great slime ball. I couldn’t help laughing when Louis C.K. showed up as a sleazy boyfriend. His character reminded me how some of my male friends are with women. The real surprise was Andrew Dice Clay, who gives a heartfelt performance as Ginger’s husband Augie. I hope he gets a nomination.

Blue Jasmine is by no means the most audience friendly of Allen’s works. Actually, it may be the most uncomfortable film Allen has made. For some audiences, this might be too akin to real life to be truly entertaining. There are many laughs, however most of it is nervous laughter from witnessing an oncoming train wreck situation perpetually worsening. Woody Allen’s sense of irony and truth is so strong, even when he tries to be dramatic it still comes off funny.

Allen has masterfully written the script in such a way that it was hard to see where the story was heading. It was not traditionally written where one scene set up the next. Instead, it was more like I was looking into these characters’ lives. Whether you like Woody Allen or not, it doesn’t matter. Blue Jasmine fires completely on another level and it’s really something to behold.

Related Links
Midnight in Paris by Woody Allen
Woody Allen: A Documentary by Robert B. Weide
Louis C.K.: Oh My God by Louis C.K.

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Midnight in Paris by Woody Allen

Midnight in Paris

Midnight in Paris by Woody Allen

I’m a loyal Woody Allen fan. My favorite Woody Allen films include Crimes and Misdemeanors, Deconstructing Harry, Everyone Says I Love You, and Stardust Memories. Even the so-called bad Woody Allen (I didn’t think Curse of the Jade Scorpion or Anything Else was terrible, I thought they were still funny) films manage to entertain me. I like that he’s disciplined and a no-nonsense writer and director.

I’m currently battling the cliche of whether I should make a Top Ten List of 2011. I wasn’t going to write a review for Midnight in Paris as I saw the film months ago. But watching Hugo and seeing it’s attempt at trying to enchant me reminded me of how Midnight in Paris did it so much better. Hugo did it with the use of space, but Midnight in Paris does it with space and character. This movie truly enchanted me. So I figure instead of writing a top ten list, I’ll just write reviews of the films that I liked in 2011 instead. So on with my thoughts…

If there’s anything Woody Allen does well, it’s casting (also to the credit of Allen’s longtime casting director Juliet Taylor). He find the right people to do the job through spotting the distinct characteristics in actors and susses out their aura to tell a story. This is the best use of Owen Wilson in a role that I have seen. I never knew what was unique about Owen Wilson till now. And here’s what it is: Owen Wilson embodies a sense of wonderment (“Wow, look at that.” “Gosh, that’s amazing!”) and he  acts as an avatar for the audience in experiencing Paris’ beauty. Yes, of course, we know Paris is beautiful and enchanting but it’s through his energy that the viewer can feel enraptured by everything around him.

That also said, I also think this was my favorite Adrian Brody performance as well. This was another actor that I never could tell what his strength was, but too like Owen Wilson, he shines in Midnight in Paris. I know of Salvador Dali and seen enough of his photographs to know his physicality and the specific way he stares at people. I do think Brody captures that precisely in this small role. It’s also refreshing to see Rachel McAdams play a bitchier character. If there’s an award for best ensemble cast, Midnight in Paris  should take the cake. Also noteworthy performances were Kathy Bates as Gertrude Stein, Tom Hiddleston as F. Scott Fitzgerald and Corey Stoll as Ernest Hemingway (who recites all his dialogue in Hemingway-like prose). Through the scope of Owen Wilson’s Gil Pender, who is currently writing a novel about nostalgia, every artist’s appearance is a delightful joy. It’s like crashing an old costume party and meeting all your idols.We see how he’s excited to be amongst these people and as the audience is seduced to wanting to hang out with the Lost Generation as well.

Paris is a major character in the story. The opening montage of Paris evokes a similar stroke Allen did in the opening montage in Manhattan. It captures the energy of the city and it embodies a personal love for the place. We see the streets, the restaurants, the book stores, the cafes and we imagine what we would do there if we were there. The film takes it to almost a jokey tongue-in-cheek level since you have the First Lady of France (Carla Bruni, whom I also like her music) as the local French tour guide.

The film charms you and you can’t help but fall into it and be whisked away to a fun joyful place. This is easily going onto my favorite movies of the year and now officially one of my favorite Woody Allen pictures.

What else can I say? Woody Allen, give me a hug!

Related Reviews
Blue Jasmine by Woody Allen
Woody Allen: A Documentary by Robert B. Weide