Thor: The Dark World by Alan Taylor

Thor: The Dark World by Alan Taylor

Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save the universe.

The Avengers aside, the first Thor was my favorite single hero film out of Marvel Phase One. Before Thor, all the Marvel superheroes established were all real world and based in scientific reality. There was a lot of uncertainty to whether Thor would work cinematically. It carried the most risk and was Marvel’s quintessential make-or-break point of expanding its cinematic universe into the realm of magic and aliens. Thankfully director Kenneth Branagh delivered. He balanced the ridiculousness of the Norse Gods with light comedy, done fantastic world creation with Asgard and provided the most interesting villain out of the Marvel cinematic universe.

Thor: The Dark World properly continues the story after The Avengers (sorry, Iron Man 3) and Thor. It retains the things that I liked about the first installment without repeating them. The plot moves fast and it’s intense. Things never gets too grim and has a genuine sense of adventure and awe. Dry witty humor is used again effectively to balance out the ridiculousness of Norse gods walking amongst humans. The fights look tough and grueling, more so than in The Avengers. Partly because everybody’s physically melee fighting and the Dark Elves are actually physically challenging to Thor and the Asgardians.

The Nine Realms are explored more thoroughly and the audience gets to spend more time on Asgard, which is a much more interesting place to be than Earth. The designs and world creation are impressive, particularly in the disaster sequences. It shows how brilliant an idea it was in the first film to imply that magic is unexplainable science, thereby combining and justifying both.

Chris Hemsworth owns the role of Thor with his presence. Thor is a character whose depths are only shown when interacting with other characters, which served as a disadvantage in The Avengers. In his own movie, there’s an immense cast to give him that depth. I liked his arc in this story. Natalie Portman gets to be the fish out of water this time around and it’s an entertaining reversal.

Tom Hiddleston again oozes charm as Loki. It’s a great actor relishing a great part.  He plays the audience like an instrument as we intermittently love and hate him. The writers put a lot of work in designing the twists and turns in Loki’s infinite mind games, truly earning the character the title of “God of Mischief”. Loki fooled me again and again throughout and I kept wanting to trust him.

The Warriors Three gets wrecked a bit. It seemed like there was some scheduling problem in which Tabanobu Asano’s Hogun had to be reduced. Also, I prefer the Joshua Dallas as Fandral, who had to be replaced by Zachary Levi from Chuck. Levi by comparison seems to struggle channeling Errol Flynn. Both cases are unfortunate.

The new villain Malekith played by Christopher Eccleston is buried under a lot of Dark Elf make-up and speaking an alien language in his own scenes, which removes any chance of proper scenery chewing. His presence as a villain is ultimately functional on par with Hugo Weaving’s Red Skull. Malekith exists for the main characters to grow and there’s nothing wrong with that. In fact, it is noteworthy. Marvel seems to be ensuring that their villains never are more interesting than their heroes. The heart of the story is still the central relationship between Thor and Loki. In fact, it’s probably the most interesting relationship in the current Marvel cinematic universe. Director Alan Taylor knows this and competently moves their story forward.

The numerous Stan Lee cameos is starting to get creepy because it means there are a growing amount of Stan Lee lookalike clones in the Marvel Cinematic Universe. And is it me or has Anthony Hopkins been playing the majority of his roles like a Norse god all this time? I am just kidding.

Depending where Captain America: Winter Soldier goes with Captain America’s story, I wonder how many more solo movies Marvel actually needs to plan out. It doesn’t look like they’re planning any solo Hulk films and Iron Man seems to be up in the air right now. Who knows how Guardians of the Galaxy is going to turn out. But they can really just start doing more Avengers movies at this point. That said, I do want to see what happens with Thor and Loki in a third installment. Actually, a third Thor is very necessary.

Related Links
Iron Man 3 by Shane Black
The Avengers by Joss Whedon

Advertisements

Iron Man 3 by Shane Black

Iron Man 3 by Shane Black

When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

Iron Man 3 follows in the vein of  The Dark Knight Rises and Skyfall in which a hero is broken apart entirely and has to put himself back together. I personally like this story of a hero falling, rebuilding himself and rising again. The similarities in story for both Rises and Skyfall didn’t bother me because both films individualized the story specifically towards its hero.

Unfortunately, this is where Iron Man 3 drops the ball. The event that causes Tony Stark’s fall does not make much sense. What happened to Stark’s friend wouldn’t lead to what happened, let’s just leave it at that. The rebuilding of Tony Stark is the strongest portion and was something new. They do a good job breaking Tony Stark apart and putting him in a place where has to work without his armor. But Iron Man 3 makes its biggest sin in its third act when Tony Stark resurges – they forget and forego the essence of Tony Stark.

The story events that are affecting the characters never seem to match logically. Why is Tony Stark stressed about the New York incident in The Avengers? He didn’t cause the incident. Is it post-traumatic stress? It didn’t seem so, but it was not clear. Shouldn’t his guilt be centered upon his past as a weapons arm dealer and his continuing journey to right his past mistakes?

What they choose to do with The Mandarin was disappointing. He is a plot device, he’s not a character. Ben Kingsley is just collecting a cheque and selling some self-parody. I’m not even going into Guy Pearce’s villain except to say his character motivations were underwritten and his abilities are ridiculous.

Shane Black is one of my favorite screenwriters (The Last Boyscout and the first two Lethal Weapon films) and I am a big fan of his directorial debut Kiss Kiss Bang Bang. It was nice how they were a Christmas theme running through the film, like in all the other Shane Black screenplays. I’d like to believe the finished product was not the film he wanted to make. In fact, I bet a year or two from now we’ll be hearing a statement from Shane Black about how he did not have creative control or had a better draft of the script that was heavily changed. Or he could have dropped the ball. Who knows? Seriously, the script seems written by a marketing committee, checklisting certain plot points from successful examples such as Skyfall and The Dark Knight Rises, and forcibly inserting them into the script.

I remember years ago reading a quote from Shane Black saying how the producers on The Last Boyscout bought his script based on his ability to write sharp witty one-liners, not on account of the story or anything creative he was trying to achieve. That complaint is talismanic of the problem with the use of humor in Iron Man 3. There were way too many silly jokes that didn’t add to the story and it kept distracting from the seriousness of what was happening. It’s a poor unnecessary attempt to make things family friendly.

Let me make something clear, I do not equate these criticisms against the film having to follow The Avengers. It was a good choice to not include S.H.I.E.L.D, Nick Fury and the other Avengers, and set it as a solo Tony Stark story. But the place they go with the character totally nullifies the entire essence of Tony Stark. It would have been like Batman using a time machine to stop the death of his own parents, so he can stop being Batman. First of all, that would be okay if this was the last Iron Man movie. But it isn’t, this is the beginning of Marvel Phase 2. Secondly, having the hero removing his very own essence without fighting through a conflict is just plain cheating.

As I’ve said with my Avengers review, Marvel doesn’t need to make more solo movies if they don’t have legitimate stories to tell, they can just make more Avengers movies at this point. They’ve already upped the ante and we’re naturally expecting more.

I like Shane Black and Robert Downey Jr. as Tony Stark, and they’ll move on to do better things. But this sadly wasn’t one of them. It’s the weakest of the three.