Casa De Ma Padre by Matt Piedmont

Casa Di Ma Padre by Matt Piedmont

Plot summary: Casa De Ma Padre tells the story of Armando Álvarez (played by Will Ferrell), who must save his father’s ranch from a powerful drug lord.

I am not a fan of Will Ferrell’s comedy. The only two Will Ferrell performances that I liked were his parts in Stranger Than Fiction and Jay and Silent Bob Strike Back. The only reason I took interest in Casa De Ma Padre was that the trailer had me on the floor when I first saw it on Apple Trailers. It’s my belief that you should never totally write somebody off. So I decided to check this one out.

So thoughts? It’s not as funny as it ought to be. I laughed a total of four times – the 2 major laughs was over the song number “Yo No Se” (Spanish for “I don’t know”) and a gag with an animal puppet. The film relies mostly on all the B-movie gags done in the faux trailers in Grindhouse to give you a B-movie feel – bad cuts, blaring continuity errors and entire reels missing. That B-movie gag has officially run its course.

There was something admirable about Will Ferrell learning Spanish just to be funny in a film. The language barrier forces more discipline in Ferrell’s comedic performance than the usual “Will Ferrell Random Comedy Theater”. Often times, it’s too easy when a comedian can stop committing to a moment and go into another bit right away to milk a laugh.

The story for the most part is relatively serious, which I did not expect for a Will Ferrell movie. The actors are all playing it straight but partly because we’re experiencing the story through its sometimes intentionally erroneous subtitles, it’s not being played straight enough for it be ironic. It’s like watching a big inside joke that you can’t laugh at because everybody else won’t let you in on the joke. Strangely, I found myself going along with the story instead of the jokes and sat through the rest of the film to see how the story would play out. Perhaps if the story was more comedic in its own structure, the gags would have been punctuated for a more comedic experience.

Casa De Ma Padre is not terrible, but it was a weird experience and I cannot fully recommend it on the basis that it’ll make you laugh. In the end, the whole essence of the film’s humor is unfortunately all in the trailer itself.

Here’s the trailer that floored me:

Miss Bala by Gerardo Naranjo

Miss Bala by Gerardo Naranjo

Miss Bala tells the story of Laura Guerrero (played by Stephanie Sigman), who dreams of becoming a beauty contest queen in a Mexico dominated by organized crime.

I am not familiar with what life is like in Mexico, so it was very interesting to follow Laura as she is taken through the inner world of the Mexican drug cartels. There are some very cruel moments of violence and I found myself scared for this girl the whole time. Not to sound distasteful, but I was really scared that she was going to be raped. Any time a gangster with a machine gun comes up to Laura, I was thinking, “He can totally do it right now. There’s nothing stopping him!” When she’s not being threatened sexually, it was the possibility of her being shot to death. There are a few long take sequences in the film where Laura dodging crossfire in gun battle that puts you in the moment. We see how the violence and the corruption eventually weighs down on this girl, eventually corrupts her dream and sucks the living soul out of her.

However, Miss Bala commits the sin of choosing its message over its protagonist in its third act. Laura becomes progressively passive and ends up being an inactive character who simply observes and obeys the orders she’s given by the gangsters. Stephanie Sigman is a competent lead actress and carries the film but her character has no motivation from that point onwards. It builds to an open ending that I thought was too “open” for its own good. The film wants to present Laura as an innocent victim caught in the middle of all this turmoil, but I still think the victim angle can still be clear with her actively trying to accomplish a goal. It’s as if director Gerardo Naranjo thought it would be too much and settled on his presenting his message but the audience definitely was hungry for that extra mile. I’m sure that wasn’t Naranjo’s goal. That said, Miss Bala still gripped me for the first two thirds.

It’s a nice piece of “issue-tainment” nonetheless.