The Internship by Shawn Levy

The Internship by Shawn Levy

Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.

The Internship has the misfortune of being wrongfully marketed by its trailer, which sells one of the film’s throwaway jokes about the X-men movies as if it was the best kneeslapping joke in a cheap goofy comedy. I scoffed when I saw the trailer, but The Internship isn’t entirely what its trailer represents to be. What is hidden from everybody is that it’s also partly a drama delivering a positive message about striving forward and taking risks in life.

For the most part, it’s a charming comedy drama. Vince Vaughn and Owen Wilson play to their own strengths. Vaughn always had a natural salesman type quality and here he really sells that.

The stark contrast between Vince Vaughn and Owen Wilson’s characters, who are old school salesmen, and the young tech-savvy geek kids is overly exaggerated. The film acts as though being an face-to-face type salesman means never coming into any contact with the internet, smart phones and have no knowledge of contemporary popular culture. This is primarily where the comedy is drawn from and it all varies from a laugh to a chuckle to no laughs. The comedy fares better when it doesn’t draw from that character contrast. One noteworthy gag was the Google team building event where they all played a faux Quidditch match. That was knee slapping hilarious. Are team building activities at Google really that much fun?

In the end, the sincerity of The Internship‘s life affirming message is somewhat tainted by the fact that the film plays like a Google recruitment ad. For a viewer that may be taken back by the big blatant advertisement will probably not enjoy the film very much. It didn’t bother me much because there was just enough sincerity and laughs to pull me through the commercialisms. That is the dividing line between audiences who will be charmed by The Internship or be turned off by it, because strictly speaking it is a bit of a mixed bag.

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The Heat by Paul Feig

The Heat by Paul Feig

An uptight FBI Special Agent is paired with a foul-mouthed Boston cop to take down a ruthless drug lord.

The Heat is a comedy that brings both familiar and fresh genre elements. The buddy cop movie elements are the familiar portion, but what’s fresh is the comedy pairing of Sandra Bullock and Melissa McCarthy. Most notably, it’s a buddy cop movie that stars two women.

Melissa McCarthy is a living comedy engine. The key to her performance is that she’s not approaching the part as a comedienne, but as a dramatic actress as well. She delivers every line like her character is totally serious. The story is partly about the social classes in Boston and it is established that McCarthy’s Mullins comes from a tough Boston neighborhood. She incorporates that into her performance. In a lesser actress’s hands, it would have been raunchy for the sake of being raunchy.

Sandra Bullock plays social awkwardness well and a good straight man to McCarthy. Again she brings her charming personable star quality and it’s hard not to like her for being so self-deprecating. This role has a similar arc to her character in Ms. Congeniality – an uptight by-the-book cop who needs to learn to let go. Suffice to say, Bullock and McCarthy make a great comedic duo.

The action scenes take a back seat and comedy is the main priority. The entire cast is full of comedians and comedy-capable actors. Standup comedian Bill Burr, Jane Curtin and Marlon Wayans add a variety of comedy dimensions with their supporting roles. Thomas Wilson, famous for being Biff in the Back to the Future films, as Melissa McCarthy’s emasculated police captain brought a huge gaping smile on my face. It was like watching Biff being upstaged in an alternate timeline.

Bridesmaids 
director Paul Feig understands that there is no moral barometer for comedy and isn’t afraid to risk bad taste for laughs. They hold nothing sacred here. There’s a running gag with an albino that had me in stitches. Underneath all the comedy, the movie is subtly about women working in a male-dominated workplace. I like how the film stays true to this concept. There’s no love subplot with a male suitor and it even draws comedy from women dealing with misogyny.

A great deal of improvisation was done in the comedic scenes. Despite of that, the film is well edited. The comedy never stops the story from moving forward and it seems a lot of comedy babies were killed in the editing room. I laughed consistently throughout the entire film. It’s a well made comedy by people that like and understand its workings. Now that they’ve announced a sequel, I look forward to that as well.