Oblivion by Joseph Kosinski

Oblivion by Joseph Kosinski

A veteran assigned to extract Earth’s remaining resources begins to question what he knows about his mission and himself.

Unlike a lot of science fiction films that often have busy mechanical designs and crowded backgrounds, there is a very distinct simplicity to Oblivion’s production designs. The empty barren Icelandic landscapes, machines and buildings built in straight clean lines and the bright daylight all help create an effective atmosphere. The film is beautifully shot and finds a natural beauty in post-apocalyptic destruction. Often I found myself just gazing upon the landscapes and felt awe watching huge robotic monolithic ships harvesting the Earth’s water. Oblivion should definitely print a production art book.

The best performance in the film is Andrea Riseborough’s. A lot of the intrigue and mystery of what’s really going on behind this world is built from Riseborough’s performance. The intrigue is built so well that the beginning section with her and Tom Cruise makes up for the more interesting portion. She plays a very fine line between someone who is concealing a secret or not wanting to know the truth. As the audience, we cannot tell which one it is.

There are little Americanisms in the film that are problematic. At the beginning, Tom Cruise’s character lands an aircraft on Earth. As he gathers his gear, he puts on a New York Yankees baseball cap. Why? Even if it were a blue-collar habitual daily routine, why wouldn’t he have put it on before flying the aircraft? Wouldn’t there be more sun in the sky than in the ground? It’s not a big deal, and it took me out of the movie a bit.

Oblivion draws upon a lot of science fiction films in the past. Example? Let’s just say Tom Cruise jogs on a treadmill that is not rectangular. For that, science fiction fans may have a harder time enjoying Oblivion as they may fall into an accidental game of ‘spot the reference’. I personally didn’t have a problem with that. It doesn’t bring anything new to the science fiction genre but I enjoyed it nonetheless.

Warriors of the Rainbow: Seediq Bale by Wei Te Sheng

Warriors of the Rainbow: Seediq Bale

Warriors of the Rainbow: Seediq Bale by Wei Te-Sheng

I watched both Warriors of the Rainbow Seediq Bale Part 1: The Flag of Sun and Warriors of the Rainbow Seediq Bale Part 2: Rainbow Bridge. I am aware that it has been cut short and released as one film in the United States. Nonetheless, I’m going to write about it as one feature film.

This is a historical story based on true events. The film Seediq Bale depicts the Wushe Incident, which occurred in central Taiwan during the Japanese rule. When the Seediq Bale (Taiwanese Aborigines), believing in the Rainbow, and the Japanese, believing in the Sun, met one another, they fought. The leader of Seediq Bale, Mona Rudao, led 300 warriors fighting against 3000 Japanese troopers.

How much do you love your homeland? What would you do to preserve the sanctity of your own culture?

This film is cruel and brutal on two levels – it’s setup and payoff. First, let’s discuss the setup. It’s disheartening to see the Japanese enslave these Aborigines and use them as workers on their own land. Women work as maids in Japanese homes or make clothes. The men works as hard laborers and are forbidden to tattoo their faces, which is a rite of passage ritual for boys to become real men (a real man is a “seediq bale”). The Japanese think they are helping them and improving their lives with technology, but the Seediq do not see it that way. They are humiliated from the lost of their own land and cannot bear to see the death of their own culture. Every tree they cut down from their own land is a step closer to total ethnocide.

Part One spends a lot of time covering an entire cast of 15-20 characters in this land. The story does not even cover the story of one tribe, it covers and develops multiple characters from 3-4 tribes. It’s quite an achievement how much story they manage to put in without seeming overstuffed. And this is why I strongly urge people to go out and view the two-part version.

There are many little stories that set up for the grand finale: there’s a Seediq who works as a police officer for the Japanese, a Seediq who married a Japanese woman, a Seediq child who’s been taught by a Japanese teacher who ostracizes him from the other Japanese children and general mistreatment of the Seediq men at work. All these little side stories fuel the central story of the tribe leader Mona Rudao (played by Lin Ching-Tai, who gives a great performance as a leader who can’t help watching their people suffer no longer and must take a stand), this all builds to his final decision to revolt and take their land back from the Japanese.

And man, do they fight! When the Seediq fight, they do not anything hold back.They have to be fast and effective as they are fighting against an enemy with better technology. They throw spears, slice throats and are lopping off heads left and right. Yes, there are many scenes of people losing their heads.

Wei Te-Sheng is a competent director who is disciplined in telling his story on a big scale. My favorite scene is the cliffhanger in the first film where the Seediqs have taken an armory. Mona Rudao the tribe leader, withholding all the rifles, carries them over to a square and takes a sit-down break by a Japanese flagpole, contemplating what’s to come. The camera pans up and we see the entire place full of corpses and you feel the foreboding of what’s to come. Another noteworthy powerfully disturbing scene is where a group of non-fighters voluntarily commit ritual suicide to save food rations for the warriors. It’s emotionally powerful as you see the lengths the Aborigines go to to fight for their land.

The scale of this film is epic in the highest order. They seemingly built every Japanese village, Seediq settlement and a working suspension bridge. There are shots of the Seediq workers looking over to the mountains and we literally see every single settlement (the CGI render of the land are more obvious in this movie, and that shot looked real). It works on the level of Seven Samurai as we learn the geography of this land in early scenes, which all plays in and pays off later in the battle scenes, particularly because the Seediq are utilizing guerilla tactics against the Japanese.

I know what you’re thinking, this sounds awfully similar to Avatar. They even sold it as the Asian Avatar on the movie posters. Warriors of the Rainbow gripped me on a much more emotional level and took me places, some of them are thrilling and some of them I plain did not want to go to, but respected it nonetheless. The native Aborgine soundtrack was moving and powerful.

The film is mostly in Seediq with some Japanese. There are at most 15 lines of Mandarin being spoken during the movie by one Taiwanese merchant living in the village. If you’re going to be snotty about reading subtitles, then you’re really going to miss out. Please just learn to enjoy a movie with subtitles! I doubt the Americans can remake this one.

This was one of the best movies I have seen in 2011. It towers in its epic scale and emotionality. It’s … it’s… it’s decapatastic!