Evil Dead by Fede Alvarez

Evil Dead by Fede Alvarez

Five friends head to a remote cabin, where the discovery of the Book of the Dead leads them to unwittingly summon up demons living in the nearby woods.

The three Evil Dead films is a trilogy of inconsistencies. The opening of Evil Dead 2 rewrites the events of first Evil Dead, and Army of
Darkness’
opening rewrites the conclusion of Evil Dead 2. The sequencing of events has always connected only inside the audience’s minds as a complete storyline. My first-ever experience with the Evil Dead franchise wasn’t watching the films but instead going to see Evil Dead Musical, which combined the first two Evil Dead story lines together (which in my opinion was much better). So I didn’t know what a remake would mean in context to continuing the story or what kind of expectations to have for an Evil Dead remake. So to get right into it…

The new Evil Dead… is so-so. I did not find the reason that justified this remake.

The major issue with Evil Dead is that there is no X factor. It’s neither funny or has a lead performance akin to Bruce Campbell’s in the original that raises the piece above the sum of its parts. I’m not asking for either again. The story plays fast and loose with its characters, as a result we never genuinely know who we should be rooting for till it’s too late. The typical stupid horror movie mistakes they make are unbelievably stupid. The lack of humor in itself is not a problem but there’s no additional layer or emotion contrasting to what’s going on. So the audience is left simply moving through the plot points, guessing who’s turn it is to die next. That would be okay if we weren’t
already so familiar with the story. Evil Dead completely relies on its scares to entertain the audience alone, and somehow that falls short.

The practical in-camera effects deserve praise, as they add effective weight to the scares and sufficient texture to the gore. The end
result is quite cringe-worthy. Practical effects bring more weight to the spectacle than CGI and I applaud anyone who is not letting
practical effects die. I suspect director Fede Alvarez would say the X factor is the gore and the scares. But after the Joss
Whedon-produced Cabin in the Woods, I’m expecting more now by default. If only this movie was released first….

It’s been reported Sam Raimi is going to make Army of Darkness 2, which will connect to the events of this remake. He’s
free to do what he wants, but it’s not going to improve this Evil Dead remake by any means. For that, viewers who haven’t seen The Evil Dead will be probably enjoy this more. Fans of the original like myself would probably like this remake a lot more if it wasn’t called Evil Dead.

Oz the Great and Powerful by Sam Raimi

Oz the Great and Powerful by Sam Raimi

Oz the Great and Powerful is the story of Oscar Diggs (played by James Franco), who arrives in the Land of Oz and encounters three witches; Theodora (played by Mila Kunis), Evanora (played by Rachel Weisz) and Glinda (played by Michelle Williams).

When I was a kid, every time I got sick meant that I would risk an ear infection. My mom would take me to the Sick Kids Hospital in downtown Toronto. The most distinct thing I remember about that hospital was that in every waiting room they would loop The Wizard of Oz over and over on a television screen for kids. As a child, I do not recall ever sitting down and properly watching from beginning to end but my body was frequently shitty enough for me to bracket the entire movie through multiple shortened viewings.

As a child, the following things about The Wizard of Oz distinctly struck me. First, I remember the vibrant Technicolor look of Oz. Second, I noticed how every character in the story had an impediment or flaw, which was something they all had to overcome together as a group. Lastly, I recall being deeply scared by the Wicked Witch of the West, her flying monkeys and even the initial appearance of Oz.

Sam Raimi has reportedly said he does not believe in 3D filmmaking, but decidedly to make an exception for this film, believing it would immerse the audience into the world. Along with Ang Lee’s Life of Pi last year, this is probably one of the best uses of 3D I have experienced. Not once did I squint during the movie or was tempted to take off the glasses at any point.

The 3D enhances the spectacle of Oz, but it’s not solely responsible for it. There’s a really great sense of wonder from the world and it even builds upon the world of Oz you see in the original. There’s an imminent feeling that things are happening in this world beyond what you are witnessing onscreen. The set pieces often felt like a theme park ride and like a child I would physically flinch to the things happening onscreen. I held onto my legs in a sequence where Oz’s balloon is tossed by wind and descends through a waterfall. Suffice to say, I recommend seeing it in 3D.

The film has a great cast. James Franco carries the film competently by making an unlikable character very watchable. The best performance by a mile is Michelle Williams as Glinda the Good Witch. She hits the right combination between doing an impression and adding her own interpretation of the role, like the cast of the Star Trek films.

The origin of the Wicked Witch of the West could have used a little more time to flesh her character out, but it was the most intriguing out of all the subplots. The actress who plays the fully-formed Wicked Witch of the West is seemingly lacking in vocal range. A lot of the Witch’s dialogue is screamed and it seemed like her voice was constantly on the verge of cracking.

Sam Raimi has an in-depth understanding of the similarities between a laugh and a scare. He knows when to pull back and hold a shot to build tension. You know something’s about to happen, but there’s no way to foresee if it’s good or bad until it happens. There’s a great sense of rhythm running through the film. I can only imagine it comes from Raimi’s DIY approach directing the Evil Dead films. Yes, this is a very funny movie. The dialogue between Oz and his monkey sidekick Finley is witty and stands out as some of the best-written clean funny dialogue I have heard in a while. For it’s scary moments, it’s balanced to the point that I think the majority of kids can still withstand and enjoy it. I laughed my way through the scares myself.

It’s unfair to measure Oz the Great and Powerful to The Wizard of Oz. The explorer who discovered Nova Scotia is simply not going to measure up to Christopher Columbus discovering America. You cannot rediscover a creative landmark. It’s just that simple. But I do think Oz the Great and Powerful gets as close as one can to realistically matching the joy of The Wizard of Oz for today. It spiritually retains the things that I found compelling about The Wizard of Oz. I was awed, tickled, scared and finally was touched at the film’s conclusion. Above all, it made me feel like the sick boy in the hospital waiting room again.