The Iceman by Ariel Vromen

The Iceman (film)

The Iceman by Ariel Vromen

The true story of Richard Kuklinski, the notorious contract killer and family man, who has claimed of killing over a hundred victims.

The cast gives good performances. Michael Shannon brings gravitas to the Iceman. It’s impressive how much life he’s breathed into a role that is so oblique and intimidating. The audience never really knows what is going on inside his head, but a threatening violence is communicated underneath his dead calm demeanor. It’s an engaging scary performance. Winona Ryder is good in the role of Kuklinski’s wife Deborah but the potential of the role isn’t explored to the fullest. The real-life Kuklinski did hit his wife and broke her nose several times. Unfortunately for Ryder, it is not explored in the film. Kuklinski’s wife in the film suspects something is wrong but is scared to pry, which is contrary to her real-life counterpart had no idea what was going on at all. This was all probably changed to create more character likability for Kuklinski, more on that later. Chris Evans gets to transform and do some character acting as the Iceman’s assassin partner Mr. Freezy. Evan seems to be reveling in this part, it’s probably a breath of fresh air from having doing the recent Marvel films. James Franco also shows up in a fun cameo role.

The story, however, fails to rise above the sum of its parts. One particular aspect of dramatic filmmaking is for the story to be compelling, the audience generally has to empathize and root for its protagonist. It’s hard to feel that for Richard Kuklinksi because he is fully aware of his actions. Kuklinksi was an effective killer from his lack of compassion for people. He gave zero thought to murder and that’s what made him scary. But director Ariel Vromen tries to insert the idea that Kuklinski had empathy and struggled with balancing his antisocial behavior with the safety of his family. This is only touched upon and never fully explored. But perhaps there was nothing behind the real Iceman’s psychosis, maybe he just did not have empathy. The truth is Vromen doesn’t know more than we do and the film is only working on pure speculation. . So it is soft pedaling solely for dramatic purposes, Vromen should have just taken narrative liberties and just fully presented his own take of what happened.

Perhaps it’s not even Vromen’s fault, dramatic film was probably not the proper format for this story. I recommend everybody see the 1992 HBO documentary The Iceman Tapes: Conversations with a Killer. Watching Richard Kuklinski recount his own story was a much more compelling and shocking experience. The Iceman, by comparison, seems relatively watered down and this isn’t a story that should be toned down.

Colombiana by Olivier Megaton

Colombiana by Olivier Megaton

Colombiana by Olivier Megaton

Colombiana is another Luc Besson-produced action romp starring Zoe Saldana, directed by Olivier Megaton (the best director’s name ever).

The story: A young girl named Cataleya Restrepo’s (played by Zoe Saldana) parents are killed by mobsters in Colombia. She escapes to the United States and trains herself into an assassin with the help of her uncle Emilio (played by Cliff Curtis). Suffice to say, she exacts revenge on the Colombian mobsters.

There are ridiculous moments in the story that feign B-movie sensibilities but never goes extreme enough for it to register as funny to the audience. It throws the film off tonally. There’s a scene where a young Cataleya (played very nicely by young child actress Amandla Stenberg) pleads for her uncle Emilio to train her into an assassin. He agrees and registers her into an elementary school. She questions his actions, thinking he broken his promise. Uncle Emilio takes out a gun and unloads it into a car on the street until it crashes on the sidewalk. He turns to the young Cataleya and explains that to be an assassin, one must knows how the world works and the only way to learn that is in school. As he is saying this, the police are pulling into the street and interviewing bystanders about the accident. Cataleya and Uncle Emilio slowly walk away from the scene of the crime. Was I supposed to laugh at that? Or was that I supposed to be moved by Uncle Emilio’s mentorship on how to be an assassin? Shouldn’t assassins be discreet?

The editing is insanely frenetic, you end up getting a sum-up of the entire fight than experiencing the entire beats of an engagement. The action sequence that I really enjoyed was the one where Zoe Saldana makes a kill in a police station. She uses her slim frame to her advantage and that was a nice attempt to explain why an assassin might be that skinny. Even though that would be the only advantage when you stop to think about it.

Cataleya is a very determined but ultimately a very unlikable character. She is trying to avenge the death of her parents, but ends up doing something immoral in the third act that makes her come off more like a sociopath than a hero. The character lacked a moral code that was necessary for the audience to really engage with her. It was like if Batman threatened to kill a criminal’s parents in order to squeeze information out of him. What the movie supplants for character likability is that the film expects you to be  totally physically infatuated with Zoe Saldana. The film really hangs on that, which creates a very strong pornographic sensibility running beneath this film. There are many instances where Zoe Saldana is not wearing a brassiere and is “nipping” through her clothes and the cinematography is directed to gazing at her.

The love story between Zoe Saldana and Michael Vartan was unconvincing. She visits him in his artist studio apartment and they have sex. That’s the entire dynamic of their relationship. There’s a scene where he asks her to tell him something about herself and the film forces a deeper emotional connection that I did not buy. He tells a friend about her later in a cafe and can only describe her as “she has a great body, pretty face and I can’t stop thinking about her.” The film does not provide any humanity for Cataleya other than being very attractive and wanting revenge. The villains are not even developed either. Say what you will about Rambo 4, but the opening sequence in Burma where the soldiers bet on their prisoners walking across land mines made me hate them instantly. And that worked! This did not work, because I do not know the villains at all.

I am not the kind of guy that thinks a woman with a gun shooting people is equal to a strong woman. Having previously played  strong and much better written female characters (Uhura in Star Trek), Zoe Saldana really deserves something better. I liked the previous Luc Besson-produced action films such as Danny the Dog/Unleashed, Taken and yes, even From Paris with Love. They have done better than this in the past, so I can only say Colombiana was a bit of a miss.

On another note, I’m seriously considering legally changing my name to “Megaton”.