The true story of Richard Kuklinski, the notorious contract killer and family man, who has claimed of killing over a hundred victims.
The cast gives good performances. Michael Shannon brings gravitas to the Iceman. It’s impressive how much life he’s breathed into a role that is so oblique and intimidating. The audience never really knows what is going on inside his head, but a threatening violence is communicated underneath his dead calm demeanor. It’s an engaging scary performance. Winona Ryder is good in the role of Kuklinski’s wife Deborah but the potential of the role isn’t explored to the fullest. The real-life Kuklinski did hit his wife and broke her nose several times. Unfortunately for Ryder, it is not explored in the film. Kuklinski’s wife in the film suspects something is wrong but is scared to pry, which is contrary to her real-life counterpart had no idea what was going on at all. This was all probably changed to create more character likability for Kuklinski, more on that later. Chris Evans gets to transform and do some character acting as the Iceman’s assassin partner Mr. Freezy. Evan seems to be reveling in this part, it’s probably a breath of fresh air from having doing the recent Marvel films. James Franco also shows up in a fun cameo role.
The story, however, fails to rise above the sum of its parts. One particular aspect of dramatic filmmaking is for the story to be compelling, the audience generally has to empathize and root for its protagonist. It’s hard to feel that for Richard Kuklinksi because he is fully aware of his actions. Kuklinksi was an effective killer from his lack of compassion for people. He gave zero thought to murder and that’s what made him scary. But director Ariel Vromen tries to insert the idea that Kuklinski had empathy and struggled with balancing his antisocial behavior with the safety of his family. This is only touched upon and never fully explored. But perhaps there was nothing behind the real Iceman’s psychosis, maybe he just did not have empathy. The truth is Vromen doesn’t know more than we do and the film is only working on pure speculation. . So it is soft pedaling solely for dramatic purposes, Vromen should have just taken narrative liberties and just fully presented his own take of what happened.
Perhaps it’s not even Vromen’s fault, dramatic film was probably not the proper format for this story. I recommend everybody see the 1992 HBO documentary The Iceman Tapes: Conversations with a Killer. Watching Richard Kuklinski recount his own story was a much more compelling and shocking experience. The Iceman, by comparison, seems relatively watered down and this isn’t a story that should be toned down.