Berberian Sound Studio by Peter Strickland

Berberian Sound Studio by Peter Strickland

 

Berberian Sound Studio centers on Gilderoy (played by Toby Jones), a British foley artist working on the audio track for an Italian giallo film, The Equestrian Vortex, takes a wrong turn as life starts to imitate art.

Berberian Sound Studio
subverts the usual visual experience of watching a horror film and shows you the creation of a horror film in sequences where you see the foley effects, voice and music being added to a film that is omitted from the audience. It creates an unsettling otherworldly creepiness as you watch foley artists stab watermelons, voice actresses shrieking and convulsing in sync to an offscreen projection. We never see much of the film-within-a-film The Equestrian Vortex and the lack of it forces the audience to be highly sensitive to the the sounds in the film. It’s unnerving and it becomes gradually creepier as it goes along. Never has a shot of someone’s hand tearing lettuce been so scary.

As a “film about a film”, Berberian Sound Studio celebrates the art of filmmaking by showing us the power of cinema by presenting all its techniques both literally and metaphorically. It’s not heavy on plot nor character. You must feel your way throughout this film with your senses as it’s creating tensions through visuals, sounds and feelings.

Things that aren’t happening before us are constantly implied and its constant claustrophobic interior setting is a metaphor about the inward journey of the artist’s mind creating their own world. The way an artist craft stories with their imaginations, the love and stress that goes into their work and how it can often become obsessive.

And for that, it’s perfectly okay to be lost inside Berberian Sound Studio. Set the volume at a decent level and just let the visuals, soundscape and montage guide you through varying states of reality and fantasy. I recommend it to horror fans and any film buff. It’s a real piece of art.

Oz the Great and Powerful by Sam Raimi

Oz the Great and Powerful by Sam Raimi

Oz the Great and Powerful is the story of Oscar Diggs (played by James Franco), who arrives in the Land of Oz and encounters three witches; Theodora (played by Mila Kunis), Evanora (played by Rachel Weisz) and Glinda (played by Michelle Williams).

When I was a kid, every time I got sick meant that I would risk an ear infection. My mom would take me to the Sick Kids Hospital in downtown Toronto. The most distinct thing I remember about that hospital was that in every waiting room they would loop The Wizard of Oz over and over on a television screen for kids. As a child, I do not recall ever sitting down and properly watching from beginning to end but my body was frequently shitty enough for me to bracket the entire movie through multiple shortened viewings.

As a child, the following things about The Wizard of Oz distinctly struck me. First, I remember the vibrant Technicolor look of Oz. Second, I noticed how every character in the story had an impediment or flaw, which was something they all had to overcome together as a group. Lastly, I recall being deeply scared by the Wicked Witch of the West, her flying monkeys and even the initial appearance of Oz.

Sam Raimi has reportedly said he does not believe in 3D filmmaking, but decidedly to make an exception for this film, believing it would immerse the audience into the world. Along with Ang Lee’s Life of Pi last year, this is probably one of the best uses of 3D I have experienced. Not once did I squint during the movie or was tempted to take off the glasses at any point.

The 3D enhances the spectacle of Oz, but it’s not solely responsible for it. There’s a really great sense of wonder from the world and it even builds upon the world of Oz you see in the original. There’s an imminent feeling that things are happening in this world beyond what you are witnessing onscreen. The set pieces often felt like a theme park ride and like a child I would physically flinch to the things happening onscreen. I held onto my legs in a sequence where Oz’s balloon is tossed by wind and descends through a waterfall. Suffice to say, I recommend seeing it in 3D.

The film has a great cast. James Franco carries the film competently by making an unlikable character very watchable. The best performance by a mile is Michelle Williams as Glinda the Good Witch. She hits the right combination between doing an impression and adding her own interpretation of the role, like the cast of the Star Trek films.

The origin of the Wicked Witch of the West could have used a little more time to flesh her character out, but it was the most intriguing out of all the subplots. The actress who plays the fully-formed Wicked Witch of the West is seemingly lacking in vocal range. A lot of the Witch’s dialogue is screamed and it seemed like her voice was constantly on the verge of cracking.

Sam Raimi has an in-depth understanding of the similarities between a laugh and a scare. He knows when to pull back and hold a shot to build tension. You know something’s about to happen, but there’s no way to foresee if it’s good or bad until it happens. There’s a great sense of rhythm running through the film. I can only imagine it comes from Raimi’s DIY approach directing the Evil Dead films. Yes, this is a very funny movie. The dialogue between Oz and his monkey sidekick Finley is witty and stands out as some of the best-written clean funny dialogue I have heard in a while. For it’s scary moments, it’s balanced to the point that I think the majority of kids can still withstand and enjoy it. I laughed my way through the scares myself.

It’s unfair to measure Oz the Great and Powerful to The Wizard of Oz. The explorer who discovered Nova Scotia is simply not going to measure up to Christopher Columbus discovering America. You cannot rediscover a creative landmark. It’s just that simple. But I do think Oz the Great and Powerful gets as close as one can to realistically matching the joy of The Wizard of Oz for today. It spiritually retains the things that I found compelling about The Wizard of Oz. I was awed, tickled, scared and finally was touched at the film’s conclusion. Above all, it made me feel like the sick boy in the hospital waiting room again.