Cloud Atlas by Lana Wachowski, Andy Wachowski and Tom Tykwer

Cloud Atlas by Andy Wachowski, Lana Wachowski and Tom Tykwer

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

Lets start with the good things, Ben Whishaw gives a great performance as the aspiring musician. Man he can really rock a voice-over. There’s something very convincing about Hugh Grant playing sleazy disgusting characters. This sounds like a backhanded compliment but I don’t mean it that way. He’s much more believable being slimy than in his romantic comedy roles. I liked the central musical score that the film is named after. That’s about all I can say.

Cloud Atlas asks the audience to do an incredible amount of math to keep up with its stories. In my opinion, the movie doesn’t use much style or story devices to help the audience follow the story. Sometimes they downright made it difficult to follow, personally I found the language in the future timeline hard to tune to. I tried very hard for the first two hours trying to figure out how the six story lines connected to each other. I don’t know if it’s something you have to know from the book but I sincerely hope that is not the case. If reading the book is necessary to understand the film, then does that not mean the film failed entirely as a standalone piece?

The make-up concept was problematic. Why deliberately make an actor who is Asian look Caucasian? Or a Caucasian actor into an Asian?  Racist stereotyping aside (there are Asians who have double eyelids), it kept taking me out of the movie because I am suddenly aware that the cartoonish-looking character would not genetically exist. Seriously, look out for Hugo Weaving dressed as Nurse Hatchett from One Flew Over the Cuckoo’s Nest in one of the storylines. That said, I still gave it a chance and searched hard for the internal logic of the film. I reflected upon viewing, why is one actor playing six roles in six different storylines? Is the fact that I can recognize the actor’s face in a different character meant to be a narrative device? Is it suggesting a thematic connection between the multiple roles that actor is playing? Or is it trying to evoke juxtaposition between them? I failed to see it.

The Wachowski’s have gone on record saying that critics are going to dismiss the film as incomprehensible schlock from the frustration of not being able to piece it together. They’d prefer if the audience will just find their own interpretations. I know what they mean, though that doesn’t magically make the movie critic-proof.

I probably need to have a dialogue with people who did enjoy Cloud Atlas, because I simply did not connect with the material. As a standalone piece, it did not hold together cohesively. Mainly because I have seen this type of material done much better, I recommend anybody to see watch Jaco Van Dormael’s Mr. Nobody (my thoughts here). An underrated film that shares Cloud Atlas‘s ambition. It masterfully used every cinematic technique in the book to visually guide the audience easily through it’s attention-shifting tree branch narrative structure. I was able to track the entire story through the twelve different versions of the protagonist as the story developed simultaneously. As for the six story lines in Cloud Atlas, not the case!

Who? What? Where? When? Why? Zilch. It’s not a bitter angry ‘zilch’, but I worked very hard following a story that did not payoff.

Flying Swords of Dragon Gate by Tsui Hark

Tsui Hark is always hit-and-miss with me. My favorite Tsui Hark films are Once Upon a Time in China 2 (the epic face off between Jet Li and Donnie Yen), Time and Tide (some insane action scenes) and Double Team. Yes, I said it. I love Double Team. It’s insane, crazy kitschy fun. Seriously, who could have thought the idea of casting Jean-Claude Van Damme, Dennis Rodman and Mickey Rourke in a coloful action movie?

I saw this film back in December. I haven’t seen any incarnations of the Dragon Gate Inn films. I was aware it was a remake or re-imagining of the story and that it was going to be in 3D. I viewed in this interest of seeing where Chinese special effects have gone and what Tsui Hark would do with such a huge production.

Tsui Hark is an imaginative filmmaker but often is undisciplined. He’ll imagine fascinating places and sets up great set pieces but he often wants to do too much. It all ends up creating thrilling sensations in parts than telling a story from beginning to finish as a whole. The worst example being The Legend of Zu, where the visuals and the world was interesting, there was nothing remotely emotional for me to hold on to. Eventually, it goes so long, I just tired out and tap out. As a side note, I thought it was very smart to have him helm the first third of Triangle (the three’s collaboration between him, Ringo Lam and Johnnie To).

I’m sad to say, Flying Swords of Dragon Gate is Tsui Hark going way too far with his imagination again. There is no story or much character to speak of. Jet Li is here to fight, he does not get a full character at all. Zhou Xun is a charming solid actress but she does not have much to do here. She breathes humanity into the story every time she’s present but there’s not enough of her or humanity. There’s a gag with Aloys Chen Kun playing two roles (as both the villain and a lovable oaf) that goes on way too long. Shake this film and half an hour would have fallen off. I am not a punitive or bitter person, but let’s call a spade a spade.

The 3D looked awful. The CG was very fake at times. I’m never one to niptick special effects but I would have forgiven it if there was something else there to distract me. It was very forgettable. I honestly cannot recall a particular scene or sequence worth mentioning.

The Mainland Chinese film market is on the rise. There’s a lot of money being thrown around to played with. I just think it should be executed with some discipline, like in Bodyguards and Assassins in where the epic scale of production was used to enhance a story.

Seriously, I would have wanted to see Double Team re-released in 3D. Or heck, give me Time and Tide 2 in 3D. Now that would be something!

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Double Team by Tsui Hark